VIRTUAL CONFERENCE / October 2 – 3, 2021
Hosted by Instituto de Etnomusicologia at Universidade Nova de Lisboa (Portugal) and Ryerson University (Canada)
All times are in Eastern Standard Time (time of New York City)
Saturday, October 2, 2021
9:20-9:45am EST: Introductory Remarks/Welcome
10:00am-12:00pm EST: Panel Session I
12:15-1:30pm EST: Keynote Lecture
2:00-4:00pm EST: Panel Session II
Sunday, October 3
9:30am/10:00am-12:00pm EST: Panel Session I
12:15-1:00pm EST: Masterclass
1:30-4:00pm EST: Panel Session II
4:00pm-late EST: Post-conference hangout
Saturday, October 2
Introductory Remarks/Welcome, 9:20-9:45am EST
Join the organizers in briefly welcoming all the participants in this year’s conference on the music of carnival.
Saturday, October 2
Panel Session I, 10:00am-12:00pm EST
Saturday, October 2, 10:00am-12:00pm EST
Music of Contemporary Regional Carnivals of Europe
Chair: Andrew Snyder
10:00 | Between Tourism and Localities: The Many Musics of Xanthi’s Carnival, Greece |
| Vasiliki Sirakouli, Democritus University of Thrace (Greece) |
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10:30 | Fanfarra Bands, Critiques of Capitalist Inequality, and Cultural Commoditization in the Music of Carnival Miguel Moniz, Center for Research in Anthropology, ISCTE/Instituto Universitário de Lisboa (Brazil)
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11:00 | Lithuanian Shrovetide Carnival (Užgavėnės) Songs |
| Lina Petrošienė, Klaipėda University (Lithuania) |
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11:30 | The History of “La Bidonata”: The “Makeshift Tools Music” of Fano’s Italian Carnival Tradition |
| Tommaso Farina, University of Macerata (Italy) |
Saturday, October 2, 10:00am-12:00pm EST
Carnival Music and Gender
Chair: Sean Bellaviti
10:00 | Mujer en el Carnaval de la Copla |
| Alicia Ruiz (Spain) |
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10:30 | Poulenc’s Carnivalesque Protest at the Opéra-Comique |
| Colette Simonot-Maiello, University of Manitoba (Canada) |
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11:00 | Queer Cosmopolitan Barranquilla? Spatiality and Temporality in/outside Carnival’s Tourism |
| Sebastian Wanumen, Boston University (USA) |
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11:30 | En Calle Abajo los hombres no lloran: Music as the Driver for Increasing Male Participation in Panamanian Carnival |
| Sean Bellaviti, Ryerson University (Canada) |
Saturday, October 2, 10:00am-12:00pm EST
Carnival Music, Diaspora, and Transnationalism
Chair: Emily Allen
10:00 | Small Island Calypso: The St Vincent-Brooklyn Connection |
| Ray Allen, City University of New York (USA) |
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10:30 | London’s Caribbean Carnival Arts Scene and the Racial Politics of Value |
| Deonte Harris, Duke University (USA) |
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11:00 | The Transcultural Batucada: The Case of a Brazilian Samba-School Project in Argentina |
| Caio Bertazzoli, Universidade Federal da Paraíba (Brasil) |
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11:30 | Vestiges of Puerto Rico’s Carnival Tradition: A Comparative Study of Documentary Films on the Fiesta de Santiago Apóstol and the Representation of Authentic Afro-Puerto Rican Culture |
| Jaime O. Bofill Calero, Conservatorio de Música de Puerto Rico (Puerto Rico) |
Saturday, October 2
Keynote Lecture, 12:15-1:30pm EST
The keynote lecture will be delivered by Gage Averill, the topic of which will be announced closer to the conference date.
Saturday, October 2
Panel Session II, 2:00-4:00pm EST
Saturday, October 2, 2:00-4:00pm EST
Carnival Music in Pernambuco, Brazil
Chair: Andrew Snyder
2:00 | Maracatu de Baque virado: Maracatu Nação Raizes de Pai adão no carnaval de Recife |
| Mirty Kátlhy da Silva Souza (Brazil) |
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3:00 | Frevo: Corpos que fervem no carnaval |
| Marília Santos, Universidade Federal da Paraíba (Brazil) |
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3:30 | The Heritagization of Frevo |
| Francesco Valente, Universidade Nova de Lisboa (Portugal) |
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4:00 | “Every Day Is Carnival”: Music, Ritual, and Cultural Tourism in the baque solto maracatus of Pernambuco |
| Chris Estrada, Michigan State University (USA)
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Saturday, October 2, 2:00-4:00pm EST
Carnival Music in Historical Perspective
Chair: Sean Bellaviti
2:00 | E a Rainha riu-se tão alto, que caiu sem fôlego nos braços do Rei: as celebrações do carnaval na corte portuguesa em 1763, segundo relatos alemães“ Inês Thomas Almeida, INET-md / FCSH / Universidade Nova de Lisboa (Portugal) |
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2:30 | El carnaval en Buenos Aires entre 1880 y 1920: prácticas musicales a cielo abierto y a puertas cerradas |
| Daniela A. González, Consejo Nacional de Investigaciones Científicas y Técnicas / Universidad de Buenos Aires (Argentina) |
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3:00 | A história Afro-brasileira através das músicas carnavalescas: O samba Enredo em São Paulo e no Rio de Janeiro |
| Mariana Santos Canuto Vieira, Universidade Federal de Pernambuco (Brazil) |
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3:30 | O legado da tradição: os sons por detrás da máscara em Trás-os-Montes |
| Isabel de Castro, Instituto Politécnico de Bragança/INET-md, Universidade de Aveiro, (Portugal) |
Saturday, October 2, 2:00-4:00pm EST
Race, Decoloniality, and Afro-diasporic Practices in Carnivals of the Caribbean Basin
Chair: Emily Allen
2:00 | Sounding Out Decolonially: Politics of Love in Steelband |
| Charissa Granger, University of the West Indies, St. Augustine (Trinidad and Tobago) |
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2:30 | King Zulu: Danny Barker's Ill-Fated Mardi Gras Indian Recordings |
| Molly Reid, Music Historian and Editor at the Historic New Orleans Collection (USA) |
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3:00 | Rhythm on the Road: West African Drums and the Conch Shell in Grenada’s Jab Jab Masquerade |
| Ian Charles, CEO of Jambalasee Grenada, and Kelvin Jacob, Founder of Ignite Grenada (Grenada) |
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3:30 | Sonic Celebration in Mobile, Alabama’s Port City Secondliners |
| Emily Allen, Florida State University (USA) |
Sunday, October 3
Panel Session I, 9:30/10:00am-12:00pm EST
Sunday, October 3, 9:30am-12:00pm EST
Carnival Music, Competition, and Expression in Brazil
Chair: Andrew Snyder
9:30 Torna-viagem: a expressão brasileira através da música, do som e da memória no Carnaval do Conselho de Estarreja
Ana Roseli Paes dos Santos, Universidade de Aveiro (Portugal)
10:00 | Festival folclórico de Parintins: tradição carnavalesca na Amazônia brasileira |
| Francisco Acioly de Lucena Neto & Danúbia da Costa Teixeira Faculdade Única de Ipatinga (Brasil) |
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10:30 | O samba enredo do Rio de Janeiro: Influências e mutações |
| João Gabriel Costa de França Souza (Brazil) |
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11:00 | Sons, Formas e Espaços: Convergências entre Carnaval Brasileiro e Teatro Grego Antigo |
| Marcus Mota, Universidade de Brasília (Brazil) |
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11:30 | As vozes dissonantes do mundo da folia sob a ditadura do “Estado Novo” |
| Adalberto Paranhos, Universidade Federal de Uberlândia e CNPq (Brazil).
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Sunday, October 3, 10:00am-1200pm EST
Subversion, Inversion and Activism
Chair: Sean Bellaviti
10:00 | The Musical Carnival of Durga Puja: A Case Study on Subversion |
| Moulima Chatterjee (India) |
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10:30 | Composing the Carnival: Arnold Schoenberg’s Pierrot Lunaire |
| Siu Hei Alvin Lee, pianist and musicologist (United Kingdom) |
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11:00 | La Conga: The Sound of Santiago |
| Nick Herman, Florida International University (USA) |
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11:30 | Nordeste de Amaralina Carnival: Sound, Political and Philosophical Intersections in a Brazilian Northeastern Party |
| Laurisabel Maria de Ana da Silva, Universidade Federal da Bahia (Brazil) |
Sunday, October 3, 10:00am-1200pm EST
Carnival Time-Space, Boundaries, and Beyond
Chair: Emily Allen
10:00 | The Sonified Mobility of Dominican Carnival Rehearsals: Alibabá Dance and Music in Bodies, Time, and Space |
| Jessica C. Hajek, Our Lady of the Lake University (USA) |
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10:30 | “Hoping next year we all sing together”: Cell Phone Recording, Localized Mobility and Scales of Belonging in Qhaswa Carnaval |
| Violet Cavicchi Muñoz, Kenyon College (USA) |
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11:00 | The Dream of Eternal February: Chronotropes of Return and Rupture in Murga Porteña |
| Michael O’Brien, College of Charleston (USA) |
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11:30 | Carnival and Commercial Records: Early Trinidadian Calypso Music |
| Andreas Meyer, Folkwang Universität der Künste (Germany) |
Saturday, October 3
Masterclass, 12:15-1:00pm EST
Our special musical guest, Thaís Bezerra, shows us what it means to lead blocos in Rio de Janeiro in a participatory presentation she has titled “Tá no batuque: The Instruction of Percussion Instruments for Carnival Blocos in Rio de Janeiro”
Sunday, October 3
Panel Session II, 1:30-4:00pm EST
Sunday, October 3, 1:30-4:00pm EST
Activism and Political Critique in Brazilian Carnival Music
Chair: Andrew Snyder
1:30 | As Neofanfarras femininas e o artivismo feminista no Carnaval de rua do Rio de Janeiro |
| Andréa Almeida de Moura Estevão, Universidade Federal do Rio de Janeiro (Brazil) |
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2:00 | Artivismo e o renascimento da marchinha |
| Suzel Ana Reily, Universidade Estadual de Campinas (Brazil) |
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2:30 | O humor político na marchinha de Carnaval |
| Maria Cecilia Guilherme Siffert Pereira Diniz, Universidade Estadual de Campinas (Brazil) |
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3:00 | As marchinhas carnavalescas cariocas de 1919: Rinda da morte trazida pela gripe espanhola |
| Carolina de Castro Wanderley, Universidade Federal do Rio de Janeiro (Brazil) |
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3:30 | Carnaval em casa: A campanha para ficar em casa no carnaval do Rio de 2021 Andrew Snyder, Universidade Nova de Lisboa (Portugal) |
Sunday, October 3, 1:30-4:00pm EST
Perspectives on Religion, Ritual, Morality in Carnival Performance
Chair: Sean Bellaviti
1:30 | Fighting the Devil: Samba-Reggae-gospel in the Carnival of Salvador da Bahia |
| Anjuli Rotter, Johannes Gutenberg-University Mainz (Germany) |
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2:00 | Alaaf and Kicking: On Bourgundian Carnaval as a Mode of Moral Philosophy |
| Sydney Schelvis, University of Amsterdam (Netherlands) |
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2:30 | Music, Dance and Health in Maracatu de baque solto Carnival Performances |
| Filippo Bonini Baraldi, Universidade Nova de Lisboa (Portugal) |
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3:00 | La música en el carnaval de los kichwas de Sicalpa (Ecuador): arraigos culturales y transformaciones históricas |
| Xabier E. Adrien, Royal Holloway, University of London (United Kingdom) and José Mejía, musician, promoter of the Ñukanchikka kikin tunukunata takikunatapishmi charinchik participatory music project (Ecuador) |
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3:30 | Vacas and Bandas de Toros: The Dynamic History of Carnivalesque Saint's Day Celebrations in Managua, Nicaragua T. M. Scruggs, Iowa State University (USA) |
Sunday, October 3, 1:30-4:00pm EST
Heritagization and Institutionalization of Carnival Music and Other Festive Events
Chair: Emily Allen
1:30 | Singing Tlundo: simplicity of the music and complexity of the lyrics. Songs of traditional Carnival in São Tomé and Príncipe |
| Magdalena Bialoborska, Centro de História da Universidade de Lisboa (Portugal) |
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2:00 | Sustainability of Music in the Trinidad and Tobago Carnival: Some Efforts and Effects |
| Ken Archer |
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2:30 | Festivity and the Fleadh: An Examination of the Function of Music in an Irish Festival |
| Pamela Cotter, University of Limerick (Ireland) |
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3:00 | Limassol Carnival Serenades: An Applied Ethnomusicological Approach to Sustaining Sound Communities |
| Chara Charalambous, University College Cork (Ireland) |
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3:30 | The Role of Music in the Swabian-Alemannic Carnival Sophie Caecilia Hesse (Germany) |
Saturday, October 3
Post-conference Hang, 4:00pm-late EST
Meet, greet, and get to know your fellow conference-goers. (And feel free to bring your own beverages.)
Organized by Andrew Snyder (Instituto de Etnomusicologia, Universidade Nova de Lisboa, Portugal) and Sean Bellaviti (Ryerson University, Canada). Managed by Andrew Snyder, Sean Bellaviti, and Emily Allen (Florida State University)
THANK YOU TO OUR CONTRIBUTORS, SPONSORS, AND INSTITUTIONAL PARTNERS:
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